Forgotten Book - Dead Men at the Folly

Dead Men at the Folly (not to be confused with Agatha Christie's Dead Man's Folly) dates from 1932. My copy is the US edition, emblazoned with the legend 'A Dr Priestley Mystery', even though the crusty old professor doesn't play much of a part until the story until the closing scenes. The majority of the detective work is conducted by Superintendent Hanslet of the Yard, ably assisted by a capable local cop called Inspector Richings. One entertaining feature of the story is the way the cops defer to Priestley, following his instructions to the letter once he stirs himself to take an interest in the mystery.

The story opens shortly before Christmas. A chap on a motorbike gets lost in rural south west England and finds himself close to a slightly sinister tower, which turns out to be known as Tilling's Folly. What is definitely very sinister is that he also stumbles across a dead body close to the tower.

There is some confusion about the identity of the deceased, which isn't cleared up for some time. Without giving too much away, two men in the story bear a very strong resemblance to each other. Now I thought this was a pointer to a particular kind of plot twist, but it proved not to be, although that strong resemblance does play an important part in the storyline. Hanslet soon thinks he's solved the case without needed to rely on Dr Priestley. But, surprise, surprise, he is mistaken.

This is a solid and readable story, but I felt that it suffered somewhat because of a lack of suspects. I had a pretty good idea of whodunit from about halfway through the book. Overall, I'd say this isn't one of Rhode's best books (although some Rhode fans rate it very highly), and it's definitely not as lively as the Christie with the similar title, but it's still a sound mystery, in which he draws on his personal experience in engineering for one particular murder method. Worth a read? On balance, I'd say yes. 

The Man in Black - Hammer's limited collector's edition Blu-Ray

Amongst all last week's excitement of publishing Miss Winter in the Library with a Knife, a couple of anthologies, and the new ebook edition of The Arsenic Labyrinth, I made brief mention on this blog of another project I've been involved with. For me it's a first, and it reflects my interest in films, an enthusiasm with which readers of this blog will be very familiar.

I was approached about a year ago, quite out of the blue, by Hammer Films - a legendary name in the movie business, and one I never expected to have any association with. They told me that they were planning to bring out a collector's edition of one of Hammer's early films, The Man in Black. This one has been unavailable for a long time, but they made it possible for me to watch it by way of background.

The reason for their approach was that, although the film screenplay was not written by John Dickson Carr, it was inspired by a radio series of the same name with which he was very closely involved. For this edition of the film, Hammer wanted to supply a lavish range of bonus extras. And one of them was to be a discussion about the work of John Dickson Carr.

I was due to go to London to take part in the Lansdowne Club Literary Festival, with an event scheduled for me to be in conversation with Andrew Taylor. So it made sense for the bonus extra to be filmed during the Festival and for it to take the form of another conversation between the two of us. It's always great to work with Andrew, and the whole experience was most enjoyable. And I'm delighted with the Blu-Ray. The accompanying booklet, for instance, is very impressive as well as informative. Although nothing is settled, there is at least a chance that I'll do another of these features at some future date, and I must say that the prospect does appeal to me. We'll see. In the meantime, I'm glad to be a bonus extra!   

Perfect Strangers - BBC iPlayer review

I missed Perfect Strangers when it first aired on BBC back in 2001 and I'd never heard of it until I read that it is now to be found on BBC iPlayer. The premise, about a family reunion, sounded interesting, and I was also attracted by the fact that the writer was Stephen Poliakoff, who is truly gifted, and the cast was terrific - Michael Gambon, Lindsey Duncan, Muriel Pavlow, Matthew Macfadyen, Claire Skinner, Toby Stephens, Timothy Spall, Anton Lesser....wow.

So I was hopeful about it when I sat down to watch. What I didn't really except was a drama that I found truly outstanding and also strikingly original and unpredictable (I had one theory about what was going to be revealed about the family which proved way off beam). There are touches of humour as well as pathos, and Poliakoff's understanding of human nature is to the fore in his subtly nuanced screenplay. Even some of the minor characters (such as Poppy, who is obsessed with table plans) are memorable. A special word for the reliable Lesser, who is terrific as an enthusiastic genealogist.

The story begins with a glitzy reunion of the Symon family at a fancy London hotel. Gambon and his wife (Jill Baker) and son Daniel (Macfadyen) are poor relations who, for some mysterious reason, have been out of touch with their relations for twenty years. But secrets slowly start to emerge from the darkness where they have been long buried.

This is a story about the long shadows cast by past events. It's not a crime story, but there is a significant 'detective' element. Daniel is drawn to his pretty but enigmatic cousin (Skinner) and is befriended by Duncan, whose relationship with Skinner is mysteriously strained. Hidden truths of all kinds slowly emerge. It is a subtle story, marvellously told, and amounts to a masterclass in screenwriting, immeasurably superior to most present day fare. Very highly recommended.  

Launching Miss Winter into the world

Last Thursday was memorable for me, as it saw the publication of Miss Winter in the Library with a Knife. A journey that began two years ago, with my taking a phone call from my agent, while on a yacht cruise in the Adriatic, when he told me that Head of Zeus would like me to write a stand-alone puzzle mystery set at Christmas, finally reached Serenity Booksellers in Romiley, Cheshire, where the launch party took place. 

A specially wonderful aspect of the occasion was that those present included people from many different areas of my life - my two oldest friends, a former client, fellow crime writers, a collaborator on a TV project, a sci-fi writer who has written a story for a forthcoming charity anthology of mine, friends from my village, and so on. 

Kerry from Serenity interviewed me, and it was great fun. I was, of course, delighted to see so many copies of the book flying off the shelves, but what mattered most was the social buzz. At the start of my career, I had lunch with my then publisher, Tony Mott of Transworld, who advised me that launches are for authors rather than selling books and I've no doubt he was right. I certainly haven't had a launch for all my novels, far from it, but this felt like a special occasion and it was great to celebrate. Grateful thanks to Kerry and Chris of Serenity for making it all possible.

I have a wide variety of events coming up to continue the celebrations and I've also been gratified by more good reviews. For instance:

‘Only a writer with Martin Edwards’s knowledge of and feeling for British crime fiction in all its breadth and depth could have pulled off Miss Winter In The Library With A Knife, such is its subtlety and ambition. Not that you need to be a student of the genre to find it highly enjoyable; it’s just that if you are, you’ll get an extra layer to your cake.

Otherwise, simply dig in to a feast of cunning clues and misdirections, as a group of life’s losers are invited to play a Christmas murder game with a prize that could put their lives back on track. Naturally, when the snow sets in they are isolated from the world and at the mercy of a killer who isn’t just playing, in this classic whodunnit with a contemporary setting.’

Mat Coward, Morning Star,

‘A real masterpiece from a very experienced and knowledgeable crime writer…This immersive novel is totally perfect for fans of crime, puzzles, and escape rooms!...It is cleverly structured…to keep readers engaged and truly feeling like a detective.’

Booksellers Circle

‘While there is something experimental about this, Martin has done an excellent job of not forgetting exactly what sort of book he excels at – namely a murder mystery… I’ve seen the book described as multi-layered and believe me, there are more than two layers here…a Christmas cracker of a read. At the end of the day, despite the bells and whistles, this is still a very strong mystery novel and, I think, one of the cleverest I’ve read for a while.’

In Search of the Classic Mystery blog

Onward and upward!

Forgotten Book - Safe Secret

Harry Carmichael was one of the pen-names of Leopold Ognall (1908-79) a prolific writer of crime novels in the post-war era. He wrote pacy stories that didn't outstay their welcome, and was for years a fixture in the prestigious Collins Crime Club list. One of his novels, Or Be He Dead, was shortlisted for an early Crossed Red Herring Award (forerunner of the CWA Gold Dagger) but he wrote too fast for most of his books to make a major impact. However, he was a reliable purveyor of fast, entertaining reads. The late Catherine Aird was a fan of his books and, kind as ever, she gave me a number of them.

Safe Secret, which dates from 1964, is one that I acquired because I came across an inscribed American edition, and there aren't many signed Carmichaels to be found - I suspect many of his books were destined for the library market. I'd say it's probably the best of his books that I've read so far, a clever and gripping story about a robbery that doesn't go to plan. The first chapter recounts the attempts of a 'man who called himself Graham' to establish a fake identity in a hotel. This is tantalising, and a possible explanation emerges in the next chapter, when a cashier called Richard Thornton goes missing along with a great deal of cash. From that point, things get progressively more complicated.

This is a novel featuring the insurance investigator Peter Piper and the hard-drinking journalist John Quinn. Their banter can be a bit tiresome, but there isn't too much of it, and they play off against each other (and a relatively tolerant cop called Hoyle) in an interesting way. Essentially, this is a novel of amateur detection, but handled in an unusual and satisfactory way.

There is a relatively small cast of characters, and one frustration is that two of the key people in the story remain more or less unknowable to the reader. But the story bowls along with twist after twist and the murders that are committed (one of them is, for plot reasons only reported to us belatedly, which perhaps diminishes its impact) add to the convolutions of the storyline. I've not read any other reviews of this book, but I thought it was a good one.

It's all happening...

To say that this is a landmark week in my long career as a crime writer is no exaggeration. On Thursday evening - publication day! - I'm launching my latest novel, Miss Winter in the Library with a Knife, at Serenity Books in Romiley. At the time of writing there are still a few tickets left, so if you'd like to come along, please book here.

I'm truly delighted to say that there have been two more lovely reviews in advance of publication. Jeremy Black of The Critic describes the novel as 'excellent...first-rate and lots of humour...'  And there's a great review here from Jim Noy of The Invisible Event. For good measure, Jim has also released a podcast in which he and I chat for an hour about the novel, and also other crime writing topics.

But there's more. This week also sees publication of As if By Magic, my latest anthology for the British Library's Crime Classics, glowingly reviewed by Jeremy Black in the same column. This book includes my favourite classic detection short story, 'The House in Goblin Wood' by Carter Dickson.

And then there is more. In fact, And Then There Were More is the title of my latest anthology edited on behalf of the Crime Writers' Association, again published in a gorgeous edition by Flame Tree Press. This book collects some of the most enjoyable crime stories to have appeared in CWA anthologies in years gone by.

As if that wasn't enough, today sees the release of a Blu-Ray collector's edition of The Man in Black from Hammer Films. And amongst many other things, it includes as a bonus extra a film of a conversation between Andrew Taylor and me in which we discuss John Dickson Carr. We recorded this at the Lansdowne Literary Festival in January, and hugely enjoyable it was too. Not that I ever imagined I'd feature in any kind of Hammer film...

The Guest - BBC TV review

The Guest is a four-part BBC TV thriller and the laws of modern television mean that Matthew Barry's script might have worked better if it had been a two-part or three-part thriller. The cost of living isn't the only kind of inflation around these days. And the critics haven't been altogether kind ('hogwash', 'bonkers', 'unhinged' and 'codswallop' are among the phrases to be found in the national newspaper reviews: a bit harsh, I'd say). For this is not a show that's totally devoid of merit (or indeed pace). I kept watching to the end, something I find myself less inclined to do these days when a TV serial rambles on, as so many do (Suspicion, which I abandoned quite early on, is a recent example of a show that appeared to be very promising, but failed to hold my attention).

The set-up is pleasing enough. Gabrielle Creevy (who is very good in the role) plays Ria, a working class young woman who is shacked up with her deadbeat boyfriend and very short of money. Fran, played by the glamorous Eve Myles, is an extremely rich woman who offers her a job as a cleaner. Soon the two women become close, and though we do get quite a lot of tediously predictable stuff about the class divide, the relationship is intriguing.

The story is set around Cardiff, and Fran invites Ria to be a guest in her second home, which is to be found in a remote coastal spot so appealing that I really wanted to go there myself and do a bit of sight-seeing. There is a death at the end of the first episode, while a murder that is committed subsequently gives rise to many of the plot holes in the script that have irritated reviewers.

Despite its shortcomings, though, I quite liked The Guest and didn't feel I'd wasted my time watching it. The reason is that Creevy and Miles are very different but compelling actors and they do their best to camouflage the weaknesses in the storyline. By and large, I'd say they succeed. 

 

Forgotten Book - Be Shot for Sixpence

I have a vivid memory of reading Michael Gilbert's Be Shot for Sixpence (1956) for the first time. It was on a 'snow day', one of only two or three during the whole of my schooldays, when the snow in Northwich was too heavy to get to school. Because my parents were out at work themselves, I spent most of the day with friends, a brother and sister whose parents ran a corner shop across the road. But I was left to my own devices for some of the time, so I read Gilbert's book. I liked it, and one or two bits have stuck in my memory, but overall I didn't think it was as good as some Gilberts I'd read previously. Having now acquired a signed copy, I thought it was time to read it again and see what my revised verdict might be.

I don't think I realised at the tender age of thirteen or so that the 'Michael' who appears on page one was actually a jokey version of Michael Gilbert himself. But the narrator is his cousin, a chap called Philip, whose surname is never revealed (makes a change from those detectives whose first name is a closely guarded secret). Philip is courageous, and seems to have some links with the Intelligence Service, but he's also impulsive and abrasive and has a way with women which wouldn't go down too well nowadays. To be honest, I didn't find him quite as admirable as I think Gilbert intended him to be.

Philip comes across an enigmatic ad. in The Times from an old school friend called Colin, who has disappeared in mysterious circumstances, and soon finds himself - against advice and, arguably, common sense - travelling to Europe to try to track Colin down. He finds himself involved in central European politics, with curious goings-on behind the Iron Curtain.

There's a lot to enjoy in this book, as usual with Gilbert's smoothly told stories. Given that the book seems to have been written before the Hungarian Uprising of 1956, it also seems quite prescient. There are some good action scenes, although as is not unusual with Gilbert's thrillers, the climax to the story is somewhat muted. More than half a century after I first read this book, I still like it - but with reservations.

A Signing Marathon, BBC History and Shedunnit podcasts, and a LoveReading review

Last week I had the fascinating experience of signing in excess of one thousand special copies of Miss Winter in the Library with a Knife - by far the biggest signing I've ever undertaken in one go. These books are destined for independent UK bookshops and the production values are terrific, with great endpapers and lovely sprayed edges. The marathon signing took place at the huge hi-tech Hachette warehouse in Didcot, an extraordinary enterprise which handles a couple of million books a week.

There is a noticeboard bearing photos of authors who have done signings there - including three members of the Detection Club, I saw - as well as a 'leader board' recording the speediest authors when it comes to signing. I didn't aim for speed because I wanted the signatures to be nicer than a mere scrawl. And the signing was the perfect opportunity for me to use a very special pen for the first time.

This is the Conway Stewart Detection Club pen - a limited edition, mine is #1, and was a lovely birthday present from Mrs Edwards - and it bears the names of all the Presidents of the Club as well as the founder members. So it was quite an occasion and I really enjoyed the whole experience.

I've done a podcast about crime fiction with BBC History and you can listen to it via these links:

Apple Podcasts: https://podcasts.apple.com/gb/podcast/history-extra-podcast/id256580326?i=1000724036418

Spotify: https://open.spotify.com/episode/2X0aergy9rnj7YGskVT0DW?si=b4096367fe054a21

HistoryExtra website (subscription needed): https://www.historyextra.com/membership/crime-fiction-history-podcast-martin-edwards/  

I've also done a podcast about Cluefinders for Shedunnit, the great show hosted by Caroline Crampton, and you can listen to it here: https://www.shedunnitshow.com/thecluefinder/

I'm looking forward to next week's launch of the book and in the meantime I'm delighted that the novel has just received a 'Star Review' from LoveReading. This is what they have to say:

'So, so wonderfully entertaining! Over the Christmas period, six members of staff from the Midwinter Trust, host and challenge six people linked to the literary crime world, to solve the murder of a fictional crime writer. Award-winning author Martin Edwards has oh-so successfully turned his masterly hand to his first festive mystery. Step right if you are an avid armchair sleuth, as you really can catch the clues here and try to solve them as you read. From the rules of the game, to the invitation, a player’s journal, letters, news articles, and maps, there is a whole host of information, as well as the novel itself to tune into and become absorbed by. I stuck by the strategy tip within the first few pages, and crowed with delight whenever my hunches played out, I will admit to missing certain clues too! This is effectively a locked room mystery, as the Midwinter Trust hamlet is snowed in, and the sense of place is immense. The characters stamp themselves onto the page, I got to know all twelve of them quickly, and didn’t have to stop to check who was who as I was reading. The plot itself is fabulously twisty, and I loved how it evolved as I read. The inclusion of the Cluefinder at the end of the novel was most sporting! This will make a super gift for a crime-fiction lover, and joins our LoveReading Star Books. Vivid and compelling, Miss Winter in the Library with a Knife is an absolute blast of a Christmas mystery, highly recommended.' 

Back from Bordeaux

I've had a hectic few days since getting back from a lovely river cruise around the wine region of Bordeaux (which is where I took this photo - a sight that really appealed to me!) Amongst other things, I just about managed to send out my August newsletter by the skin of my teeth before August became September! If you'd like to sign up, you can do so here: https://substack.com/@martinedwardsbooks/  And rest assured, it is completely free.

I'd been working hard on my new book (the sixth Rachel Savernake novel) as well as one or two other projects before we flew off to France, so the week-long break came at just the right time. We didn't travel too far in terms of miles, but the trip certainly felt restorative - before the holiday was over, I was getting more ideas for stories as well as for the work-in-progress. I also read three enjoyable books, which earn a mention in the newsletter.

This was the second time this year that I've been to Bordeaux, and it's a city that grows on me with each visit. We went to a couple of museums as well as a very good botanical garden and the cathedral. And the stops along the route each had distinct charm. There were, of course, wine tastings, and so much good food on board that I shall need to ease off the eating for another week or two to get back in trim. But it was worth it.

I really liked St Emilion, a gorgeous town, but other less renowned places like Cadillac, Libourne, Bourg, and Blaye all had something to recommend them. Out travel companions were Kate Ellis and her husband Roger. And the four of us won a quiz: here's a photo of us with our winnings!